How To Protect Your Work As A Motion Designer Pt 2An interview with Silvia Baumgart
Disclaimer: This podcast is for general guidance only and discusses the legal position in the UK at the time of publication unless stated otherwise. You must take legal advice and not rely on the information provided in this podcast before taking action. We do not update our podcasts and therefore, past podcasts may not reflect the current legal position.
Have you ever felt freaked out and overwhelmed at the idea of creating a contract? If you already have standard terms and conditions, do you feel confident in them, or could they be tighter? Are you even aware of all the legal ramifications that can come from your creative works if not protected properly? Silvia Baumgart breaks down all of these issues and more in this second part of our series on copyright and contracts.
Silvia Baumgart, a trainee solicitor with an extensive background in protecting creatives and their work, joins us again to explain how to make the legal side of freelancing work for us and not against us. We talk about resources for finding legal templates, when you should seek professional advice and assistance, and what are moral rights and why you need them in your contracts.
We dive into tips on how to handle when a client asks you to create something similar to another artist’s work, and the legal issues that could arise from doing so without proper steps being taken prior, and the legal rules of using others music or work within your showreels and how to prevent thorny legal issues when doing so. We also go through the biggest takeaways from both episodes so that you can walk away with a better understanding of how to protect yourself and your work.
Do you use a template created by someone else for your contracts? Does it cover everything? Leave a comment below!
In this episode
- Resources for finding legal templates
- When you should seek professional legal advice and assistance
- What are moral rights and why should you have them in your contract?
- Your rights when a piece of your work goes viral, either with and without your being credited
- The legalities behind using music in your showreels
- How to properly source work created by others in projects you’re working on
- Tips for how to handle when a company asks you to create something similar to another artist's work
- Biggest takeaways from part one and part two
Thanks for Listening!
To share your thoughts:
To help out the show:
Podcast music licensed by Big Waves
Some of the links above are affiliate links. Basically, this means that if you decide to make a purchase through one of these links, we will earn a small commission, at no extra cost to you. You can be sure that we would recommend these products whether or not we made any commission on them. Please don’t spend your money on them if you don’t think that they will truly help you improve your business, although, in our experience, they will.
Recent podcast episodes:
For those of us who start a motion design studio, we think it will lead to a new level of freedom. Before too long, we realize that it’s a business and that creativity...
Do you ever feel that you have too much client work to focus on personal projects? It can be tough making the time for something that doesn’t bring you any direct...
Future of motion design There’s certainly a lot of unknowns in the world these days. This is true for the motion design industry as much as anything else. Long-term...
How To Go From Freelancer To Studio Owner Freelance life can go from feast to famine in an instant. As a Motion Designer, it can be easy to get discouraged when your...